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Film Before The Coast
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field notes4 min read/

Film Before The Coast

A roll from the Olympus OM-2n years, before scanning became hard to keep up with from Da Nang and Hoi An.

#film#olympus-om-2n#ho-chi-minh-city#da-nang#hoi-an

A roll from the old rhythm

These frames come from an April 2017 roll shot on the Olympus OM-2n, back when I was still in Ho Chi Minh City and film was part of my normal walking rhythm.

I used to shoot a lot of film there. The city made it easy: small rooms, bright gates, cats under cars, and enough labs nearby that finishing a roll felt like the beginning of the next one instead of a chore.

Two dogs behind a gate in Ho Chi Minh City on an Olympus OM-2n film roll.
A gate, a yard, and the kind of quiet street pause I kept finding on film in Ho Chi Minh City.

When scanning became the bottleneck

That changed after I moved toward Hoi An and Da Nang. Without a nearby scanning lab, the loop broke. Rolls could still be exposed, but the waiting, shipping, and uncertainty made film feel less like practice and more like storage.

For the time being I shifted into the work that fits my current life better: macro subjects, telephoto field notes, and digital bodies I can review right away.

A ginger cat resting indoors on a soft film scan.
The small domestic frames are the ones that make me miss carrying a film camera every day.

The kit for now

My main digital kit now is the Olympus E-M1 Mark III and the Panasonic Lumix GH5. The Olympus body has become the patient macro and telephoto tool, while the GH5 still fits the slower observational work I like.

I do not think of that as replacing film. It is just the route that keeps me shooting while the scanning problem is unsolved.

A wooden press photographed on an Olympus OM-2n film roll.
Film kept ordinary objects loose and imperfect; digital work now gives me a different kind of control.

Coming back to film

When I move from Da Nang to Hoi An next year, I would love to make film part of the routine again. Not as nostalgia, and not as a separate project, but as another way of paying attention.

These scans are a reminder that the slower process used to suit me. I want to get back to that pace when the practical side becomes possible again.

A small cat resting between parked cars in hard sunlight on film.
A small scene from the archive, and the kind of frame I want to return to when the workflow makes sense again.